Liverpool: The Long Way Home
Bernard Fallon... Pray for Rebels. From Liverpool: The Long Way Home. "...Bernard Fallon was born into a large Liverpool Irish family in Crosby, Liverpool in 1949. He pursued his interest in painting and photography at the Liverpool College of Art for four years.
The Long Way Home covers the period between 1967 and 1975, when Fallon was exploring Liverpool and commuting to the Art School. He was fascinated by the changing urban landscape and social environment that he witnessed on his route and he began documenting life around Liverpool. His approach was inspired by the photojournalism and candid style of photographic masters such as Henri Cartier-Bresson.
Many of the images were taken during 1969 and 1970, when Fallon was becoming increasingly drawn towards the Scotland Road community. Keen to document the great social changes that were taking place in the area at that time, the photographs formed the basis of his Art School final year assignment. It was during this project that he that he further developed his social realism style, with people central to the subject, photographed at a cooperative distance. Also important was a strong composition and a desire to capture the ‘essential’ moment – the tension between beauty and reality."
The Long Way Home covers the period between 1967 and 1975, when Fallon was exploring Liverpool and commuting to the Art School. He was fascinated by the changing urban landscape and social environment that he witnessed on his route and he began documenting life around Liverpool. His approach was inspired by the photojournalism and candid style of photographic masters such as Henri Cartier-Bresson.
Many of the images were taken during 1969 and 1970, when Fallon was becoming increasingly drawn towards the Scotland Road community. Keen to document the great social changes that were taking place in the area at that time, the photographs formed the basis of his Art School final year assignment. It was during this project that he that he further developed his social realism style, with people central to the subject, photographed at a cooperative distance. Also important was a strong composition and a desire to capture the ‘essential’ moment – the tension between beauty and reality."
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