Evanion Collection of Ephemera
Advertisement for Maurice Palmer, Photographer. "...Richard Beard opened England's first commercial photographic portrait studio on the roof of the Royal Polytechnic Institution in Regent Street, London in 1841. However, it was not until the early 1850s, when his patent to the Daguerreotype process expired and Scott Archer introduced a more sensitive wet collodion process, that other photographers were free to set up commercial studios using any method. Success in this venture depended as much on the photographer's ability to attract sufficient custom as his skill in operating the photographic equipment.
In London the number of studios rapidly grew along the main commercial and retail streets - particularly the West End, The City and Westminster. Competition greatly reduced the cost of portraiture. This advertisement of 1870, features one of Maurice Palmer's 'Cabinet portraits'. These large photographs had been popular from the mid 1860s, and usually featured one sitter or a small group." From the Evanion Collection of Ephemera at the British Library. "...Over 1,800 adverts and posters from Victorian daily life, collected by the stage magician and ventriloquist, Henry Evans."
In London the number of studios rapidly grew along the main commercial and retail streets - particularly the West End, The City and Westminster. Competition greatly reduced the cost of portraiture. This advertisement of 1870, features one of Maurice Palmer's 'Cabinet portraits'. These large photographs had been popular from the mid 1860s, and usually featured one sitter or a small group." From the Evanion Collection of Ephemera at the British Library. "...Over 1,800 adverts and posters from Victorian daily life, collected by the stage magician and ventriloquist, Henry Evans."
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